It seems everybody needs a second income these days. Male Voice Over Talents used in many circumstances. While it is a steep challenge hoping to make a living this way, it helps to know there are many different kinds of opportunities. These range from dramatic roles in audio books to an anonymous narration.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
There are all kinds of acting, of course. This would include the salesman reading a script into a telephone the requisite eighty times per day, day in and day out. In many ways this is the ultimate performance, because the audience response is a sale made. Anyone with the skills to be a telemarketer might do well to explore voice opportunities as an extra income source, and anyone trying to make a living as a telemarketer might need the money.
Not only salespeople, but anyone trying to make ends meet while working in customer service, bill collection, or any other telephone-oriented job ought to consider sound work. People with this background learn to recognize when they are speaking effectively, and over time craft their voices to the point where they truly have taken on a wholly different dramatic person.
Certain traits will always help in finding work. A resonant voice with an unaffected, everyday tone opens the most doors, making available the enormous bulk of text that is constantly being recorded for posterity. In this kind of narration work, it is often preferred that the reader have no distinct personality of any sort. The only identity intended to take the stage is that of the text.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
Recognized actors take audio acting roles because they're a relatively easy way to make extra money. The recording studio is a relaxed environment, without any need for makeup and costume. Often big stars will take roles in cartoons for the pleasure of performing for an audience of children, but even for them that extra paycheck can come in handy.
The good news is that there are vastly more speaking jobs than can be filled even by the obscure celebrities and aspiring actors of Hollywood. This is good news for all of us non-movie stars. As a rule, though, some background as an actor, even if that was simply in the class room, will be advantageous in finding sound recording work.
There are all kinds of acting, of course. This would include the salesman reading a script into a telephone the requisite eighty times per day, day in and day out. In many ways this is the ultimate performance, because the audience response is a sale made. Anyone with the skills to be a telemarketer might do well to explore voice opportunities as an extra income source, and anyone trying to make a living as a telemarketer might need the money.
Not only salespeople, but anyone trying to make ends meet while working in customer service, bill collection, or any other telephone-oriented job ought to consider sound work. People with this background learn to recognize when they are speaking effectively, and over time craft their voices to the point where they truly have taken on a wholly different dramatic person.
Certain traits will always help in finding work. A resonant voice with an unaffected, everyday tone opens the most doors, making available the enormous bulk of text that is constantly being recorded for posterity. In this kind of narration work, it is often preferred that the reader have no distinct personality of any sort. The only identity intended to take the stage is that of the text.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
There are those who manage to make their living entirely through voice-work. This requires more than the sort of voice and talent the market demands. It also requires the ability to see an opportunity, to plan, to network, and to market oneself. Those who make a living through audio work treat it like a small business in which they are not just the performer, but also officer manager and floor manager. But when all is said and done, this can be an unexpected source of income.
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